Bethlehem    
My Hometown


Manger Square and Nativity Church

Bethlehem's Biblical History

Bethlehem From The Grotto The Message Of Peace Set Forth And It Still Does

By
FatherMichele
Picirillo,o.f.m.
Franciscan archaelogist

 

            In the Bible, Bethlehem is called “Bethlehem of Judea” to distinguish it from “Bethlehem of Galilee” in the area of Zobolon Tribe near Nazareth. Also it is called “Bethlehem- Ephrata” after a family from Benjamin Tribe that is believed to have lived in it            ( Genesis 35:1 to 19).

The fame of this small place situated in the Judea mountains on the edge to the desert goes to the character of David from the Jesse family whose roots go back to Moab as the small and lovely Book of Ruth recounts to us in the Old Testament. In Bethlehem the young David began the course of his life that would first lead him to Saul’s court and late to become a king on Juda’s tribe in Hebron and on the whole land of Israel from Dan to Bir Sheva. During his flight from the wrath of Saul, David used to remember his birthplace and yearn to it: “ David said oh! who can bring me water to drink from the well at the gate of Bethlehem!( 2 Samuel: 23:15).In the messianic view of the Bible, Bethlehem would be, and exactly because it is the birthplace of David, the place in which the awaited Christ would be born. He is the new David who would liberate his people(Micha 5: 1-4). In the mosaics that adorn the churches of Rome, Bethlehem is always depicted, like the holy city of Jerusalem, as one of the Christian symbols, that consist of the Church of Circumcision and the Church of Nations.

            The present city extends on two hills surrounded by a depression that goes eastward to the Judean desert beginning from the mountain lying behind it on the north western side. The old hamlet was very limited and stood on the top on which the historical middle part lies. That is, the city as it was before the building expansion which occurred in the past years in a random and irregular way.

            W. Harvey supervised  archeological excavations inside and outside the basilica in 1932 and 1934. R.W. Hamilton published the result of these excavations. In 1947, Father Bellarmino Baghati, as an archaeologist, followed up the work of engineer A. Barlozzi who restored the cloister of the convent dating to the Middle Ages which lies to the east of the basilica. The same archaeologist, who is from the Franciscan Biblical Studies Institute in Jerusalem, also supervised the restoration of Saint Jerome’s grottos under the basilica, which was carried out by Father Alberto Farina in 1963- 1964.In 1895 at the site of David’s Wells, a cemetery underground and a church with inscriptions on  masaics that quote Psalm 117: 19-20 were found, and discovered by Brother Michaelangelo Titsani in 1962. There is also a tomb from the Second Iron Age ( Seventh Century BC), and a funeral oratorium from the Byzantine period with mosaic inscriptions that were discovered in 1963 during the building of the new Terra Sancta College on the slopes of the mountain lying to the north of the basilica. Remains from the Iron Age were found as well as a Byzantine oratorium and a cemetery from the Crusader period. All of these are preserved in the Milk Grotto area which is an oratorium hewn in the rock which is visited and venerated by the local Christians and pilgrims. it lies to the south east of the basilica.

            If we took the geological reality of the mountain into consideration as well as the results of the current excavations, we can say that natural grottos existed before the building of the Nativity Basilica and the adjoing convents. At least they were used during the Jewish kingdom period in the eighth-seventh century BC This is indicated by the handle of a pot with a seal written on it “the property of the king” which was found in Saint Jerome’s grottos during their restoration in 1963-1964. All of these grottos were covered by the Constantinian and Justinian buildings, and were successively used to bury the dead.

            As for the Basilica of Nativity which is today the heart of a building complex that is wide and evidently seen and that is wide and evidently seen  and  that includes to the south the Armenian monastery and the Greek Orthodox monastery and to the north the Franciscan Fathers’ convent, it actually dominated the interest of pilgrims and researchers so that this city lying on the edge of the Judean desert is known by it.

            The evangelists Matthew  and Luke tell us the Jesus, Christ the Savior, about whom the prophets told, was born in Bethlehem in fulfillment of Micha’s prophecy. With this birth begins a new stage in the history of this city the focus of the interest in which is the grotto which is referred to as the place where Jesus was born and in which Joseph and Mary found a refuge because they had no place in the inn, as the Evangelist Luke recounts.

            The “grotto of life “ as called by Saint Gregory of Nicea who came to it as a pilgrim, is mentioned by the martyr Justinos( about 155 AD.) in “a Dialogue with Trivon” where he says:” As Joseph could not spend the night in the village, he sought refuge in a grotto near Bethlehem. While they were there, Mary gave birth to Jesus.” Originus describes it in his book” Anti Chelsius”(about 248 AD.) as a certain place and known to all: “As for the birth of Jesus, if one wants another proof in addition to Micha’s prophecy and the history written by the disciples of Jesus in the gospels,let him know that in addition to all that is mentioned in the Bible about his birth, that in Bethlehem the grotto in which he was born can be seen. In the grotto, there is the manger where he was swaddled and laid. What we see is known by all in these places so that the aliens to our faith known how Jesus, who is venerated and worshipped by the Christians, was born in a grotto.”

            Bishop Eusebius from Caesarea who was the contemporary witness of the building of the basilica over the holy grotto which Emperor Constantine wanted to build, tells us that the one responsible for the building and who inspired it was Helena Augusta, the Emperor’s mother. “The pious /empress adorned the birth place of Jesus by a magnificent building. She was careful by all means to highlight the Nativity Grotto with all its splendor. Shortly afterwards, the Emperor honored the same place by bountiful royal donations, adding to the generosity of his mother golden and silver wares and multi-colored mats”. The same historian puts on equal footing the Nativity Grotto, the Holy Sepulcher lying in the heart of Jerusalem, and the Grotto of Teaching on the Mount of Olives where he says: “ The Emperor chose three places that are proud to have three holy grottos in them. He adorned them with rich buildings, specially the grotto of the first divine transfiguration ( the Nativity) by the honor that it deserves. He venerated in the other grotto on the top of the Mount of Olives the memory the last Ascension, and he glorified in the middle grotto ( The Holy Sepulcher) the victories by which the Redeemer crowned all  his struggle.The Emperor embellished all these places making the sign of redemption shining everywhere.

            The first eyewitness to these magnificent work is the anonymous pilgrim known as the pilgrim of Bordeaux who came to the Holy Land in 333 and wrote in the diary of his travel sayings “In Bethlehem where the Lord Jesus Christ was born, a basilica was built by an order from Constantine”. Pilgrim Igeria visited the Church and the adjoining grotto in the end of the fourth century AD The pilgrim went to Bethlehem in the company of the Jerusalemite group which usaed to celebrate in the Basilica of the Manger some of ritual feasts of the year.She wrote saying:” In the Church of Bethlehem, there is the Savior was born.”Unfortunately the pages in which she describes the Basilica and the grotto were lost.

            Saint Jerome who spent a large portion of his life in a hermitage near the Basilica at the head of a monastic group of Western men and women established by Saint Paula of Rome, mentions that the grotto was desecrated at the time of Emperor Adrian (135 AD.) whereupon a holy wood for goddess Adonis-Tammouz, the goddess of fertility, was erected on it whereby “ in the place of the grotto in which the infant Jesus was born, they mourned Adonis’ mistress, Venus” as he says in one of his letters.

            When the grotto was restored to the veneration of the Christian

community after the building the basilica, the memory of Jesus’ birth was remembered in a day manger, oas Jerome himself says in a poetic zeal: “Oh, I wish to see that manger where the Lord was laid( We removed the clay manager to honor Christ and replaced it by a silver manger. However, the manger that was removed is, in my opinion more valuable and costly. Gold and Silver are for the pagans. As for the Christian faith this clay merger is suitable. He who was born in this manger  despises gold and silver, I do not want to blame the one who did it out of piety, but I admire the Lord who, despite the fact that he is the creator of the world, was not born among gold and silver, but in day .”We have another contemporary witness by Saint Cyril, bishop of Jerusalem, who emphasizes that “ the blessed place of the manger is one of the true witnesses of Christ”.

            In the mosaic map of Palestine which was found in Madaba and which belongs to the second half of the sixth century AD., Bethlehem still appears in the form of a church of humble sizes although the building of the basilica wanted by Emperor Justinian was completed. If we refer to the testimony of the patririach of Alexandria, Ibn Al-Batriq (ninth century AD.), he says: “The king ordered the demolition of the Church of Bethlehem which was small and rebuilt large, awe-inspiring, and beautiful so that no church was more beautiful than it even in Jerusalem itself.” This is also the opinion of the pilgrims of Piachenza who visited it about the year 570 and who enthusiastically remembers it: “Bethlehem is a wonderful place . . . In it there is grotto in which the Lord was born. It contains the manger embellished with gold and silver and surrounded by lamps that burn continuously. It is the visiting place that arouned the poetic faculty of Sophronius, who later became the patriarch of Jerusalem. He deciated one of his meditations to the basilica in which we find the essential dements that the visiting place consist of, that is the four-sided gate, the basilica, the three naves, and the grotto under it with the manger: “With the burning zeal of divine love in the heart, I wish to arrive quickly to little Bethlehem where the king of the world  was born. I shall dance as I enter this holy church, into this sublime four sided gate and these three noble naves. I wish to forget the clouds of pains as I look at those golden and many columns which are illuminated and the works of  art wonderfully corried out. I will look wonderfully up to the lamps shining with stars where the grace of heavens shine thanks to the art. I wish to descend to the grotto where the Virgin, queen of the universe, gave the Savior to mankind, the true God and the true man. On the scented marble which received the divine infant, I shall put my eyes, mouth, and forehead so that in return I shall receive from it the divine gift. I shall hurry in piety to the glorious manger from the bounty of which I was fed with the divine words, I who is lacking understanding”.

            The basilica was miraculously saved from destruction during the Persian conquest in 614. A Greek unsigned document from the ninth ventury (836) mentions the cause by which the basilica survived. In this connection, it says:” After the Persians destroyed all the cities of the Roman Empire in Syria, they burned Jerualem and took the Patriarch Zacharia captive. But when they reached Bethlehem, they were surprised to see the pictures of the Persian Maggi, the star watchers, who were their citizens. Out of respect and love for their ancestors whom they venerated as if they were alive, they did no harm to the church which remained to our present time”. Following the Islamic conquest in 638, no harm was done except for the mosaic in the southern nave where caliph ‘Umar prayed when he visited the church, knowing that the caliph gave his clear instructions concerning the respect due to this Christian visiting place. Patriarch Iotichos says.” In our time, the Muslims violated the instructions of ‘Umar Ibn Al-Khattab because they removed the mosaic of the southern nave and wrote on it what they wanted. They pray in it collectively and the muezzin summons the faithful for prayers”.

            In 1099 a Crusader contingent of horsemen surrounding Jerusalem under Tancred, prime of Polia, the Norman seized Bethlehem and the basilica. There on Christmas Eve in 1100 Baldwin crowned himself the first king of  Jerusalem. Bethlehem became the seat of a bishopric The service and maintenance of the basilica were entrusted to the scholars of Saint Augustin. The Crusader strengthened the basilica for more security. Thus they surrounded it with monasteries, and added a tower and a belfry. They adorned the interior walls with an ambitious mosaic design. This process of embellishment was completed between 1165 and 1169 at the time of Bishop Raoul due to the  cooperation between Amalrichos, king of Jerusalem and the Emperor of Constantinophe Porfiro Ginitos.

            After the defeat at the battle of Hittin and the end of the Latin Kingdom of Jerusalem, Bethlehem returned, once again, to the Crusader rule, for a short period of time between 1229 and 1244 during the reign of Frederick 11, King of Sweden. In 1266, Sultan Al-Dhaher Baibars temporarily deported the Christians from the town. In subsequent ages, the basilica was entrusted to the care of the monastic orders living in the monasteries adjoing the visiting place. The Franciscan Fathers who settled near the grotto in 1347 supervised different restoration and maintenance works in the basilica which were completed in 1480, 1607, and 1671. In 1671, the Greek monks repaired the roof of the basilica.

            Despite the factors of  time and negligence that seriously endanger the durability of the basilica, the five-winged basilic and its superogatory chorus still retains its simple and subline elegance on a holy area organized within four rows of coloumns of one mass (ten columns in every row) at the height of 5.47 meters.Every column has a

corinthian head adorned by an engraved cross, and leaning on wooden supports that are skilfully engraved. The building extends over an area the length of which is 53.90 meters and its breadth is 26.15 at the wings and 35.82 at the cross wing leading to the grotto via stairs from either side. The facade of the basilica had a roofed entrance with columns. The entrance was 40 meters long and 30 meters wide. Today we have few remains of this entrance. Today, entering the basilica is through the middle gate which was shrunk at least two subsequent times  times to prevent horses from entering it, knowing that Muslims caravans had the right to spend the night in it.

            The archaeological excavations done by R.W. Hamilton in 1932 and 1934 allowed the discovery of the remains of the Constantine basilica from which we know for certain the passage section leading to the nave of the facade. These doorsteps were moved inside the present basilica at the level of the first row of columns. In the chorus, the British archaeologist discovered the remains of a multi-angled column. All of this prompted the supposition that the visiting place at that epoch consisted of a small church for liturgical celebrations ( Historian Iotichos describes it as “small”) followed by a huge eight - angled building for large celebrations. It is intended to make the grotto under it large and awe-inspiring.

            If we open the wooden cover of the floor of the present church, we can see models of the mosaic of the Constantine Church 0.75 deep. Originally the area was a large mat covered by a strip of acanthus ( a pernnial plant having spicate leaves in filigree used for adornment) and adorned by a swaastika preserverd in the northern area of the basilica, the old writing “ aktos” was inscribed ( this is the first letters of the following words: “ Jesus Christ, Son of God, the Savior”.

            The masaic adornment which still partially covers the walls of the basilica was added in in the Crusader period. From the description of the pilgrims in the Middle Ages and from the research of Franciscan scientists, specially Father Francisco Quwarisini, we can conceptualize the adornment group. The facade from the inside carries the family tree Jesse, father of King David and grandfather of Jesus. The adornment of the walls of the central nave consisted of three layers. The upper layer between the windows was adrned by a continuous group of angels whose faces are towards the grotto. In the lower layer above the wooden support, we find a demi-plate having the names of the ancestors of Christ according to the lineage mentioned in the Gospel of Luke (the southern wall) and the Gospel of Matthew ( the northern wall). Today, only eight portaits have remained on the southern wall. In the middle of three two layers, we find writings in Greek and Latin fixed within wide geometric designs seperated by a bunch of acanthus adorned by candelabras and censers. These writing mention the seven ecumenical councils on the southern wall( The first Nicea 325, the second Nicea 787, The first Constantinophe 680,

Ephesus 431, (chalkedonia 451), and on the southern wall four ecumenical councils and two regional councils (Ansera 314, Antioch 272, Sardica 347, Janjer in the fourth century, Latakia in the fourth century, and Carthage 254). We also find two large crosses studded with precious stones separating, in the middle of the walls, between two adornnents on which there are texts from the Bible indicating the two natures in Christ: the divine nature and the human nature. It was intended from these texts the direct reference to the restored unity of the church which is represented in the Byzantine Emperor and the Crusader king.

            The interest of the Armenians in the holy visiting place is mentioned by a writing in Arabic and in Armenian on the carefully made wooden door joining between the passage and the nave of the church. It is a gift from Armenians as indicated by the Armenian writing: “With the help of the holy Mother of God, this gate was made by Fathers Abraham and Arakel in 676 in the reign of the Armenian King Hethom, son of Costantine. May God have mercy on their souls”. The Arabic writing says: “This gate was completed with the help of God, may His name be glorified, in the region of our lord Sultan Malek the great in Muharram of 624 Hijira”. Both writings coincide with the year 1227 AD.

            The walls of the wing, decorated in the form of the three leaves of clover, were adorned by scenes from the life of Christ the Lord as mentioned by the Bible. The scenes of Pentecost were totally lost as well as those of the Dormition of the Virgin and her Assumption to Heaven, the Offering of Jesus to the Altar, and the annunciation. In the north, scenes of Saint Thomas’ doubt and the lower part of the Ascension were preseved. In the south, the scene of Jesus’ entry to Jerusalem and one picture from the scene of the Transfiguration on Mount Tabor remained. The scenes of the Nativity, the Adoration of the Maggi, the Dialogue with the Samaritan Woman, and the arrest of Jesus in the Garden of Gesthamane totally disappeared. In the middle nave, we find the portrait of the Mother of God with the Infant Jesus between Abraham and David.

            The writing accompanying this mosaic left for us the names of the mosaic artists who supervised and completed the work. Among these is a writing in Greek that preserved for us the name Ephram “a monk, a painter, and a mosaic worker”. There is also a writing in the northern side which carries the name of another mosaic artist who is the deacon Basilius.

            We here give a translation of two of the dedication writings in Latin and in Greek. In Latin we read: “King Amalrichus, guardian of virtue, the generous friend, the companion of integrity, the enemy of infidelity, the lover of justice, the fellow of piety, the avenger from crime, the fifth king. And Emmanuel, ruler of the Greeks, the generous donation giver  and the pious emperor. And the Bishop Radolphos,

pastor of the church who deserves honor, and the modest bishop. For all of those, the hand of Ephram carried out these beautiful drawings”.

            The Greek writing repeats the same text in a brief way. “ The present work was completed by the hand of Ephram, the painter and mosaic artist in the reign of the great emperor Emmanuel Porfera Gintos Comneus, and in the reign of the great king of Jerusalem, Mr. Amalrichus, and the saint bishop of the holy city, Bethlehem, Radolphos”.

            During the Crusader era also,characters from the Old Testement and the New Testement and saints from the East and the West which are indicated by writings in Greek and Latin, were drawn by wax colors. All of this is on the base of the columns, a large part of which is still evident today. We mention from these drawing , the drawing of the crucifixion, John the Baptist, Saint Stephen, Elijah the prophet, the Virgin nursing the Infant, the Virgin Lady on the Throne known as “The Succor of the Christians” in front of it there are the faithful kneeling on the sides, and the Virgin with the Child having the date of 1130 AD. with the addition of a prayer in Latin saying: “O, heavenly Virgin, comfort those are suffering- O,Son, the True God, I ask you to have mercy on these faithful”. Among the western saints, we find that some of them are from the contemporaries of the Crusades like King Canute from Denmark, and King Olaf from Norway. We also find saints venerated by a specific Christian nation who particpated in the Crusaders such as Saint Foska and Saint Marina from Venice, Saint Cataldos from Taranto, Saint Jacob the great, Saint Venchensios from Spain, and Saint Leonard from England.

            With the passage of time and the action of man, the splendor of the mosaic and the marble of this basilica faded without changing the nagnifence that leads us easily and spontaneously to the tranquility of the grotto at the end of the central nave. It seems that the double entrance under the chorus was completed in the Justinian era. Crusader engineers worked to rehabilitate it, adding to it two finely made alabaster gates using to bronze gate from the previous epoch. Entrance to the visiting place which was built  during the reign of Constrative was by a double stairway on the eastern edge of the central nave of the church.

            The grotto appears nearly in the shape of a triangle that extends 12.30 meters long 3.50 meters broad with a small prayer niche. The eastern side of the grotto is adorned by a mosaic scene of the Nativity from the Crusader period. Thus small prayer riche was formed after closing the natural possible entrance of the grotto on the eastern side of the mountain. The walls are dug in the rock except the ceiling. The western side is a wall built seperating the grotto from a passage dug in the rock leading to the grottos known as the grottos of Saint Jerome which lie in the southern area under the church. In the small prayer niche under the altar, a silver star fixed on the marble was installed. It

was placed by the Franciscan Fathers and the following is inscribed on it in Latin: “Here Jesus Christ was born of the Virgin Mary 1777”. On a low place to the southern side of the grotto, the place of the manger is venerated and an altar had been added to it. The pilgrims of the Middle Ages mention a small altar in the grotto supported by four columns and an alabaster star under it indicatin  “the place where the Virgin Mary gave birth to her son. Jesus Christ,” as Jacobos of Verona says.

            It was found accidentally in the Franciscan Fathers’ Convent a treasure of ritual bronze and silver vessels dating to the Middle Ages which belonged to the Nativity Basilica. That was in 1863 during the restoration work near the kitchen of the Convent, and also in 1906 when the foundations of the new buildings to accommodate the pilgrims were dug. This treasure is kept at the museum of the Franciscan Biblical Studies in Jerusalem. It includes an ornamented bishop’s supter, two basins on which the stories of Saint Thomas are inscribed, three candelabras of adorned and ornamented bronze, eleven bells, and about 250 organ pipes. On the bases of two silver candelabras a writing in Latin was very carefully inscribed, and even if its content is not characterized by the Christian spirit, it was effective. It says: “ ( Cursed he who carries me away from the holy grotto of Bethlehem”.

            We have few valuable tools that remind us of the second period of the splendor known by the visiting place in the Middle Ages. This visiting place remains dear to the hearts of the faithful in all over the world. It is a Christian visiting place that recounts the birth of Jesus and reaches with  its message to every man of good will and who is open on the mercy of God. This message is a message of  peace and comprehensive reconciliation.

            The inspired psalmist who lauded the humbleness of this birth which enriched the whole world remains Saint Jerome, this Dalmatian researcher who lived near the grotto continuously for thirty years and here he wrote the largest part of his compilations and knew how to pick up the secret vibrations of this place. He says in one of his hymns used in the liturgy of the Christmas Eve: “ Peace O Bethlehem, O, City of Bread. Here was born this Bread which desended from heaven. Peace be upon you O, Ephrata, O, generous and fruitful land. O, ye, who God Himself was the fruit of this fertility. Bethlehem is this narrow pocket of land where the Creator of Heavens was born. Here he was swaddled. Here he was laid in the manger. Here the shepherds saw Him. Here the star pointed to him. Here the Maggi adored Him. Here the angels sang saying: “Glory to God in the highest! and peace be on earth for people who are the object of His satisfaction”.  Bethlehem lives with this message and mixes with it. It is a message of peace that is still shining from its visiting place and from its dwelling places. It addresses its folks and the whole world despite all the manifestations of disappointment.